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4.     Speaking and Listening.  Hold a class or small group discussion about how free you are

                                  from censorship in your daily life. Are there environments in which you feel you can’t say or
                                  write what’s on your mind for fear of repercussions? How does your own experience of
                                  censorship affect you and those around you?
                                   5.      Research.  Conduct research on the U.S. Patriot Act, which was originally passed in response

                                  to the 9/11terrorist attacks in 2001, to determine what the U.S. government can and cannot do
                                  to read and possibly censor private communication between citizens. Are there any
                                  connections between the Patriot Act and what occurs in this short story?
                                   6.      Research.  Research the history of a country’s government censorship, particularly in an

                                  authoritarian regime, such as the Soviet Union, East Germany, or Argentina in the 1970s. How
                                  extensive were these government operations, and how successful were they in keeping
                                  information from citizens?

                                   7.      Creative Writing.  Try out being a censor like Juan by creating what is called “erasure poetry,”
                                  a form of found poetry writers generate by crossing out or obscuring part of an existing text,
                                  creating a wholly new work from what remains. Working with a newspaper article, a letter, or
                                  any other text that interests you, mark out what Juan might find objectional in his job. What is
                                  different about this new text that you’ve created with your erasures?






                               Using Personal Experience in

                               an Argument



                                 You may have read some of the speeches earlier in this chapter and seen the impact an
                               effective argument can have on the world. Martin Luther King Jr. made the case for
                               nonviolent economic boycotts to improve conditions for workers in Memphis; Malala
                               Yousafzai presented her argument for universal education in the face of religious
                               extremism before an international audience; and Nelson Mandala presented a case for
                               a time when a movement might be required to turn to violence to achieve its aims. Real
                               arguments matter in the real world. The ability to communicate your ideas about a
                               topic — especially one that affects you personally — is an essential skill both in the
                               classroom and in your life outside of it.
                                    While a balanced argument — appealing to ethos, logos, and pathos — is usually the
              writing workshop
                               most effective, pathos can be the most powerful appeal in your arsenal when used
                               wisely, and talking about your personal experience is a good way to unlock it.
                               Fundamentally, humans are attracted to stories. We remember them, and we respond
                               emotionally to them.
                                    In this workshop, you will use the following prompt to think about how to apply your
                               own experiences to an argument:

                                  Select a topic that is important and meaningful to you about which you can take a
                                  position that is debatable. Write an argumentative essay in which you use evidence
                                  that includes, but is not limited to, your own personal experiences.
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                                  Copyright © Bedford/St. Martin’s. Uncorrected proofs have been used in this sample chapter.
                                    Distributed by BFW Publishers. Strictly for use with its products. Not for redistribution.




          sheaall2e_24428_ch05_002_095.indd   78                                                       09/07/20   5:30 PM
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