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extending beyond the text                                                          5


                        In his 1951 essay , “The Sociology of Stratification,” sociologist C . W right Mills based his
                        In his 1951 essay, “The Sociology of Stratification,” sociologist C. Wright Mills based his
                      definitions of social classes in America on the “chances to gain the things and experiences
                      that are generally valued, whatever they may be: things like cars, money, toys, houses,   Nana Kwame Adjei-Brenyah
                      etc.; experiences like being given respect, being educated to certain levels, being treated
                      kindly, etc.”

                          Discuss the ways in which this collage by artist Sally Edelstein, entitled  Mutually Assured
                      Consumption , reflects the aspirations Mills names. Compare them to the aspirations of the
                      characters in “Friday Black.” What explicit differences and similarities do you find? What
                      are the implicit similarities and differences?


























                                                                                        Sally Edelstein





                       “Duo just quit.”                  60       I grunt something because I don’t have
                      “Oh.”                                  the words to tell him that it is sad but it’s all
                       “He said he needed to go on break, and I said   I have.
                  wait a few minutes, and then he just left. He’s gone.”     “It’s a nice coat,” he says. “But that’s it.”
                       “I’m coming,” I say.                      “What?”
                       I get up, walk toward the escalator. I step to     “The coat isn’t proof. She knows. You don’t   70
                  the conveyor and float down. Coming up on the   need to, bro,” he says, turning around and rising
                  opposite escalator is Duo.                 up the escalator.
                       “Hungry?” I say.                  65       “Don’t do that,” I say. “Not to me.”
                       “I couldn’t do it, man. That shit is sad,” Duo    “Sorry.”
                  says.                                           “Yeah,” I say, and then Duo flies away.
                                                                                                          59
                     Copyright © 2021 by Bedford, Freeman & Worth High School Publishers. Uncorrected proofs have been used in this sample chapter.
                       Distributed by by Bedford, Freeman & Worth High School Publishers. Strictly for use with its products. Not for redistribution.



          AufsesALR1e_24889_ch05_002_097.indd   59                                                   5/4/2020   3:58:11 PM
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