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in the story of the family dog. Buffy, a forty-   scared, frustrated, lonely. Her anxiety made her   5
                  pound golden retriever mix we adopted from   brittle, easy to anger. But I didn’t feel sympa-
                  the pound when I was six and my sister was   thetic. I felt fear, neglect. I felt resentment.
                  three, had been smothered with love in her    My mother and I started to fight all the    20  section three
                  youth. Buffy, for whom we took a pet first-aid   time. She was retreating from the world, a
                  class in order to learn how to be responsible   slow-motion magic trick. Meanwhile, I was getting
                  owners, who was the muse for my grade-school   louder, angrier, wilder. I experimented with   /
                  poetry exercises (“Buffy is fluffy!”), our sidekick   early forms of my own amplification — of self, of
                  for picnics and outings, on the sidelines for   voice, of fury — while my mother’s volume was
                  soccer games, and the subject most featured in   turned down lower and lower, only ever audible   Carrie Brownstein
                  my first roll of film — posing on my baby blan-  when she broadcast searing feedback and static;
                  ket and wearing sunglasses — after I was given   broken, tuneless sounds. We vacillated between
                  a camera for my birthday. Buffy, who followed   shouting and silence, the megaphone and the
                  us around the cul-de-sacs while we engaged   mute. We scrapped and scraped. I’d rile her up
                  in dirt clod fights with the neighbor kids, and   until medicine bottles were hurled my way and I
                  trotted after us while we rode Big Wheels and   responded with a piece of pizza. She threatened
                  eventually bikes. Buffy, who suffered the sting
                  of the archaic idea that you could punish a dog
                  by smacking it on the nose with a rolled-up
                  newspaper and whose tail was run over by
                  my mother as she backed the car out of the
                  driveway. And Buffy, turned back into a stray
                  in her own home on account of the rest of us
                  surrendering to emptiness, drifting away from
                  anything we could call familiar, her skin itching
                  and inflamed, covered with sores and bites, like
                  tattoos, like skywriting, screaming with red-
                  ness, as if to say Please, please pet me! But we
                  didn’t. When we decided to put her down, not
                  because she was sick but because she was old
                  and neglected — a remnant of a family we no
                  longer recognized — my father asked my sister
                  to do it. My sister was sixteen. She drove the
                  dog to the vet one day after school by herself.
                  No one else said good-bye.
                     The distance and detachment created a                                           Jason LaVeris/Getty Images
                  loneliness. We couldn’t name the source of it,
                  but there was a blankness around which we
                  gathered, one that grew colder and darker, and
                  seeped into everything we did. I think for my   This is an image of Brownstein playing with her
                  mother it was most pronounced. I would lie in   band Sleater-Kinney.
                  bed at night and hear her on the phone with   In what way does this photo depict the
                                                               self-transformation she describes in her
                  my father, who was away for weeks on business   narrative?
                  in Europe or Asia or Australia. She was crying,
                                           Uncorrected proofs have been used in this sample.             207
                                           Copyright © Bedford, Freeman & Worth Publishers.
                                          Distributed by Bedford, Freeman & Worth Publishers.
                                            For review purposes only. Not for redistribution.


          06_SheaFLL2e_40926_ch05_130_243_6PP.indd   207                                               28/06/22   8:57 AM
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