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ADVANCED LANGUAGE & LITERATURE 2E
Contents
SECTION 3 Exploring Other Genres
Ursula Le Guin, The Ones Who Walk William Stafford, Traveling through the
Away from Omelas Dark (poetry)
Nana Kwame Adjei-Brenyah, The Era Writing Workshop – Writing an Argument Using
Charlotte Perkins Gilman, from Herland Style and Tone
Continuing the Conversation
Exploring Other Genres
Rutger Berman, from Utopia for Realists
Writing Workshop – Writing an Analysis of Style 12 | POWER
and Meaning Skill Workshop – Understanding Figurative
Language and Meaning in Poetry
Continuing the Conversation
William Shakespeare, Sonnet 94 and
Sonnet 80
11 | DO THE RIGHT THING
Skill Workshop – Understanding Style and Tone SECTION 1
in Argument Percy Bysshe Shelley, Ozymandias
Jose Antonio Vargas, What America W. Haden Blackman and Richard Pace,
Looks Like from a Jail in South Texas Ghost (graphic novel)
Hernando Tellez, Lather and Nothing Else
SECTION 1
Toni Morrison, The Work You Do, the SECTION 2
Person You Are Central text William Shakespeare,
Laura Hercher, Designer Babies Aren't Macbeth
Futuristic. They're Already Here. SECTION 3
Marie Colvin, Truth at All Costs
Zora Neale Hurston, Sweat
SECTION 2 Emma Donoghue, The Tale of the Kiss
Monica Hesse, The Case of the Warsan Shire, Backwards
Photoshopped CEOs
Michael J. Sandel, Are We All in Exploring Other Genres
This Together? Elena Ferrante, Power of Our Own
(nonfiction)
Chuck Klosterman, Why We Look the
Other Way Writing Workshop – Writing an Analysis of
Figurative Language and Meaning
Central text Jamaica Kincaid, from A
Small Place Continuing the Conversation
SECTION 3
George Orwell, Shooting an Elephant
Sam Harris, Lying
David Callahan, The Cheating Culture
“ I love the organization of the book from focus on specific skills[...]into units
curated by topic with essential questions. This text helps pull worthwhile,
timely readings together that are useful for all types of analytical purposes.”
—Amy Rousseau, Bishop Gorman Catholic School, NV
AP® is a trademark registered and/or owned by the College Board, which was not involved in the production of, and does not endorse, this product.
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