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I knew my turn would come eventually.   past media escorts and wave, too. Flags and   5
                  Deployments were the reality of military service   posters would dance past as I reached the main
                  in the post-9/11 era. I wanted to go; I wouldn’t   crowd. The shouting, the colors and the patriotic
                  feel like I was fulfilling my duty otherwise. I   music would build into a bubble of emotions.   section three
                  didn’t think about the possibility of not coming   Then I would see my family at the same time
                  home — the idea was too vague, too surreal, too   they saw me. It would be just like all the home-
                  terrifying — but I dreamed about my homecom-  comings I’d witnessed. It would be perfect.  /
                  ing. I had been in the crowd and on the fringes,   When I flew back from Afghanistan in March
                  and someday I would be on the plane. I would   2010 — almost exactly 19 years after my mom
                  hear people cheering as the front door creaked   came home from Saudi Arabia — I was the only   Lauren Kay Johnson
                  open and the Florida sunlight or moonlight   military passenger on my commercial airliner. I
                  spilled into the cabin. It would take forever to   had traveled by helicopter from a small Forward
                  unload. My family would grow impatient, like   Operating Base near the Pakistan border, then
                  thousands of families before: Where is she?   left some of my deployed unit at Bagram Air Base,
                  Everyone looks the same! What if she’s not there?   the military’s main hub in Afghanistan, where
                  Then I would make my way out the door, down   their home units required additional paperwork
                  the stairs, and onto the tarmac to be funneled   prior to departure. Others had flown with me to
                  through the outstretched hands of the base com-  Baltimore-Washington International Airport,
                  manders and city leadership. The scene would   where we were herded through a small crowd
                  probably be overwhelming, a sea of arms like   of USO volunteers whose cheers and unfamiliar
                  the legs in my memory. But it would be heart-  faces were as genuine as they were jarring; then
                  warming to get such a reception. Commanders   through customs, then to separate terminals
                  I’d worked with would pat me on the back,   for separate flights back to wherever home — or
                  maybe even offer a hug or a high five. Welcome   home base — might be, barely registering that
                  back, LT, they’d say, We missed you! Working my   after nearly a year of living, eating and working
                  way down the line, I would see my colleagues   together, depending on each other for survival,
                  hovering by the media, and they would grin and   those jetlagged, bewildered moments might be
                  wave. The reporters might recognize me from   the last we ever shared.


                                                                              This is a photograph of a
                                                                              welcome home ceremony for
                                                                              soldiers returning from Iraq in
                                                                              2005.
                                                                              How would you describe the
                                                                              tone captured in this image,
                                                                              and what elements convey
                                                                              that tone? How does this
                                                                              picture compare to some
                                                                              of the returns that Johnson
                                                                              describes in her narrative?




                                                                             Scott Olson/   Getty Images



                                           Uncorrected proofs have been used in this sample.             199
                                           Copyright © Bedford, Freeman & Worth Publishers.
                                          Distributed by Bedford, Freeman & Worth Publishers.
                                            For review purposes only. Not for redistribution.


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