Page 53 - 2023-bfw-FLL-2e
P. 53

We both lived by a weird code: Mavis and   10  friends’ utter lack of interest in something   5
                  I might be friends on Saturday afternoon, but   I loved so much. I had always known, yeah,
                  Friday nights and weekend sleepovers were   maybe JLMP wouldn’t be as interested in com-
                  for JLMP. If it sounds weird and compartmen-  edy as Mavis had been, but it scared me that   section one
                  talized, that’s because it was. But I was used to   they dismissed it so completely. I felt like two
                  compartmentalization. My entire teenage life   different people.                         /
                  was a highly organized map of activities: twenty   What happened to me was something that
                  minutes to shower and get ready for school,   I think happens to a lot of professional comedy
                  five-minute breakfast, forty-five-minute Latin   writers or comedians, or really anyone who’s   Mindy Kaling
                  class to thirty-minute lunch to forty-five-   passionate about anything and discovering it for
                  minute jazz band rehearsal, etc. Compartmen-  the first time. Most people who do what I do are
                  talizing friendships did not feel different to   obsessed with comedy, especially during ado-
                  me. Mavis and I would say “hi” in the hallways,   lescence. I think we all have that moment when
                  and we would nod at each other. Occasionally   our non-comedy-obsessed friends or family are
                  we would sit next to each other in study hall.   like: “Nope. I’m at my limit. I can’t talk about
                  But Mavis did not fit into my life as my school   In Living Color anymore. It’s kind of funny, but
                  friend.                                    come on.”
                     Then things started to change.
                     One Saturday night, I had JLMP over my
                  house. They wanted to watch Sleeping with the
                  Enemy, you know, the movie where Julia Roberts
                  fakes her own death to avoid being married to
                  her psycho husband? And I wanted to watch
                  Monty Python’s Flying Circus and show them
                  the Ministry of Silly Walks, one of their funniest
                  and most famous sketches. Mavis and I had
                  watched it earlier that day several times in a row,
                  trying to imitate the walks ourselves. I played it
                  for them. No one laughed. Lauren said: “I don’t
                  get it.” I played it again. Still no response to it.
                  I couldn’t believe it. The very same sketch that
                  had made Mavis and me clutch our chests in
                  diaphragm-hurting laughter had rendered my
                  best friends bored and silent. I made the classic
                  mistake of trying to explain why it was so funny,                                  Pictorial Press Ltd/Alamy
                  as though a great explanation would be the key
                  to eliciting a huge laugh from them. Eventually
                  Polly said, gently, “I guess it’s funny in a random   As Kaling found out when she showed JLMP the
                  kind of way.”                                Monty Python comedy sketch “The Ministry of
                     Within the hour we were watching Julia    Silly Walks,” what’s funny to some people isn’t
                  Roberts flushing her wedding ring down       always funny to others.
                  the toilet and starting a new life in Iowa    Based on this image, what is intended to be
                  under an assumed identity. I could barely    funny in this sketch? Do you find it funny?
                                                               Why or why not?
                  enjoy the movie, still stunned by my closest
                                           Uncorrected proofs have been used in this sample.             151
                                           Copyright © Bedford, Freeman & Worth Publishers.
                                          Distributed by Bedford, Freeman & Worth Publishers.
                                            For review purposes only. Not for redistribution.


          06_SheaFLL2e_40926_ch05_130_243_6PP.indd   151                                               28/06/22   8:56 AM
   48   49   50   51   52   53   54   55   56   57   58