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creatively reorganize our collective hours and   sent out several hundred postcards asking her
              2
                     days in ways that help more people enjoy our   fellow city residents whether they might support
                     cities and institutions. Time might be our most   a novel idea: to close one section of the street to
                     valuable resource for building the environ-  traffic on Sundays.
                     ments we want.                               She formed the Riverbend Park Trust the   10
              Argument
                        Covid-19 brought about temporal designs of     following year. The group got permission to try
                     other kinds. Starting in spring 2020, cities from   out the idea, and held an enormous picnic in the
                     New York to Bethesda to Berkeley repurposed   street to celebrate. A small group of volunteers
                     city streets for outdoor dining, allocated by   worked to raise the money to cover the basic
                     hours of the day. Retail shops everywhere, from   expenses of Riverbend in its early form: portable
                     grocery stores to booksellers, dedicated   toilets and park rangers. The Trust lobbied the
                     “seniors-only” browsing hours to vulnerable   Metropolitan District Commission to approve
                     customers. In London and other cities, cross-  Riverbend one year at a time, before the idea’s
                     walk signals were extended in length, an accom-  momentum was sufficient to make it perma-
                     modation for more pedestrians in a season of   nent. Since 1985, it has been managed by the
                     fewer transit rides. It took responsiveness under   Massachusetts Department of Conservation and
                     duress to refashion the streets and spaces of our   Recreation.
                     lives. Some of that ingenuity used the invisible   Time has long been a way to rethink the
                     tool of the clock.                        design of cities and spaces. There are lightweight
                        Riverbend Park in Cambridge and “found”   versions — a baseball diamond that is desig-
                     parks like it are created from a declaration, or   nated as an off-leash dog park in early morning
                     more precisely a reclamation, of time — without   hours, for example. Some shopping malls open
                     expensive construction or risky permanent   their doors before regular retail hours, allowing
                     changes. Our collective clock got reset in a crisis,   people to walk their corridors for exercise — a
                     showing us that our time might be spent   safe and smooth passage especially appealing to
                       differently. The pandemic may ultimately force   older adults.
                     us — or beckon with an invitation — to see the   Time can also be a transformative tool for
                     clock as a resource for the cities we want, one   redesigning spaces with more ambitious goals in
                     that’s always been right in front of us: an under-  mind, making the built world more accessible
                     sung and powerful utility on a designer’s tool belt.  and equitable. Many museums have made
                        Designing with time may seem like an   adjustments to their modes of physical access —
                     abstract concept best left to civic planners and   ramps and elevators and audio tour apps —
                     public officials, but it’s important to remember:   but meaningful accessibility might also call
                     Sometimes the designer is an ordinary citizen.  for a creative shift in time. At the  Smithsonian
                        In 1974, Isabella Halsted lived on Memorial   Institution museums in  Washington, D.C., for
                     Drive in Cambridge, one of the “river roads” that   example, a time-based program called Morning
                     connects downtown Boston to its outskirts. She   at the Museum makes exhibits much more
                     saw the Charles River every day — blocked by   friendly to patrons with disabilities, especially
                     the constant traffic. This river — the city’s jewel,   those with intellectual or developmental
                     girded by plenty of green space — is mostly   disabilities.
                     experienced at the pace of a car, rushed and   Ordinarily an exhibition is designed to
                     blurry. But Ms. Halsted, who had grown up in   be visually and aurally dynamic, with plenty
                     nature, wanted more of that waterfront and   of interactive sounds and lights. But when com-
                     green space to be present in its quieter, slower   munity research made it clear that some people
                     form — for herself and for her whole city. So she   with autism spectrum conditions found these
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          03_sheatlc4e_40925_ch02_058_111_4pp.indd   82                                                 8/9/22   2:54 PM
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