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La Gringuita

                            Julia Alvarez

                                    Julia Alvarez (b. 1950) was born in New York but raised in the
                        Dominican Republic until she was ten, her family fleeing to the                   central text
                        United States after her father became involved in an unsuccessful
                        plot to overthrow the dictator Rafael Trujillo. She received a BA            Jeff Malet Photography/Newscom
                        from Middlebury College and an MA from Syracuse University.
                        Alvarez has published poetry, fiction, memoir, and children’s books.
                        “La Gringuita” is from a collection of autobiographical essays,
                        Something to Declare (1998),  in which the author examines identity
                        and the art of writing.


                                                                              1
                      he inevitable, of course, has happened. I   and chew on her ear.    My mother gave him an
                    Tnow speak my native language “with an   indignant look, stood up, and went in search
                                                                                          2
                  accent.” What I mean by this is that I speak   of the conductor to report this fresh    man.
                  perfect childhood Spanish, but if I stray into   Decades later, hearing the story, my father, ever
                  a heated discussion or complex explanation,   vigilant and jealous of his wife and daughters,
                  I have to ask, “Por favor ¿puedo decirlo en   was convinced — no matter what my mother
                  ingles?” Can I please say it in English?   said about idiomatic expressions — that the
                       How and why did this happen?          sailor had made an advance. He, himself, was
                       When we emigrated to the United States in   never comfortable in English. In fact, if there
                  the early sixties, the climate was not favorable   were phone calls to be made to billing offices,
                  for retaining our Spanish. I remember one scene   medical supply stores, Workman’s Compen-
                  in a grocery store soon after we arrived. An   sation, my father would put my mother on the
                  elderly shopper, overhearing my mother speak-  phone. She would get better results than he
                  ing Spanish to her daughters, muttered that if we   would with his heavy, almost incomprehensi-
                  wanted to be in this country, we should learn the   ble accent.
                  language. “I do know the language,” my mother       At school, there were several incidents of   5
                  said in her boarding-school English, putting   name-calling and stone-throwing, which our
                  the woman in her place. She knew the value of   teachers claimed would stop if my sisters and I
                  speaking perfect English. She had studied for   joined in with the other kids and quit congre-
                  several years at Abbot Academy, flying up from   gating together at recess and jabbering away in
                  the Island to New York City, and then taking the   Spanish. Those were the days before bilingual
                  train up to Boston. It was during the war, and   education or multicultural studies, when kids
                  the train would sometimes fill with servicemen,
                  every seat taken.
                                                              1    Chew on her ear: the idiom “chew someone’s ear off” means to talk
                       One time, a young sailor asked my mother
                                                             to someone for a long time and in a boring manner. —Eds.
                  if he could sit in the empty seat beside her    2    Fresh: lewd, disrespectful. —Eds.


                                           Uncorrected proofs have been used in this sample.             177
                                           Copyright © Bedford, Freeman & Worth Publishers.
                                          Distributed by Bedford, Freeman & Worth Publishers.
                                            For review purposes only. Not for redistribution.


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