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Alvarez writes, “The litmus test
                                                                           was dancing merengue, our
                                                                           national, fast-moving, lots-of-  central text
                                                                           hip-action dance.”
                                                                           In what ways does this
                                                                           image capture Alvarez’s          /
                                                                           descriptions of merengue?        Julia Alvarez


                                                                           WANDYCZ Kasia/Getty Images















                     Down on the street, every Saturday night, the   a borrowed car to dance merengue and see what
                             9
                  little conjunto  that Eladio and Mangú had hired   everyone else was doing. What we were doing
                                                     10
                  would serenade us with romantic canciones.    was looking for people to fill up our silence with
                  We were not supposed to show our faces, but    their talk.
                  Dilita and I always snuck out on the balcony in   One night, Mangú drove out towards Utcho’s
                  our baby dolls to talk to the guys. Looking down   chicken farm and pulled over at a spot where
                  at Mangú from above, I could see the stiffness   often the four of us had stopped to look at the
                  of the white dress shirt his mother had starched   stars. We got out of the car and leaned against
                  and ironed for him. I felt a pang of tenderness   the side, enjoying the breeze. In the dark, peri-
                  and regret. What was wrong with me, I won-  odically broken by the lights of passing cars,
                  dered, that I wasn’t falling in love with him?  Mangú began to talk about our future.
                     After the presentation ball, Dilita left for   25  I didn’t know what to say to him. Or actu-
                  Puerto Rico to attend a cousin’s wedding. It was   ally, in English, I could have said half a dozen
                  then, when I was left alone with Manuel Gustavo,   ambivalent, soothing things. But not having
                  that I realized that the problem was not me, but   a complicated vocabulary in Spanish, I didn’t
                  me and Manuel Gustavo.                     know the fancy, smooth-talking ways of delaying
                     Rather than move back to the lonely     and deterring. Like a child, I could just blurt out
                  boonies, I stayed on in town with Dilita’s aunt   what I was thinking. “Somos diferente, Mangú.”
                  for the two weeks remaining of my visit. But   We are so different. The comment came out
                  without Dilita, town life was as lonely as life on   sounding inane.
                  a chicken farm. Evenings, Mangú would come    “No, we’re not,” he argued back. “We’re both
                  over, and we’d sit on the patio and try to make   Dominicans. Our families come from the same
                  conversation or drive out to the country club in   hometown.”
                                                                “But we left,” I said, looking up at the   30
                                                             stars. From this tropical perspective, the stars
                  9  Conjunto: “band” in Spanish. —Eds.
                  10  Canciones: “songs” in Spanish. —Eds.   seemed to form different constellations in
                                           Uncorrected proofs have been used in this sample.             181
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          06_SheaFLL2e_40926_ch05_130_243_6PP.indd   181                                               28/06/22   8:57 AM
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