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But the truth was that I didn’t want to stop
                  and talk to Manuel Gustavo. What would I have
                  said to him now, when I hadn’t been able to talk                                          central text
                  to him thirty years ago? “It’s good to see you
                  again, Mangú,” I shouted. I waved good-bye as                                             /
                  my husband pulled ahead. In my side mirror, I
                  watched as he signaled, then disappeared into                                             Julia Alvarez
                  the long line of traffic behind us.
                     “Who was that?” my husband wanted to know.
                     I went on to tell my husband the story of   40
                  that summer: the presentation; Utcho and
                  Betty; my worldly-wise friend Dilita; Eladio,
                  who looked like a flamenco dancer; the sere-
                  nades; the big double bed Dilita and I slept in
                  with a mosquito net tied to the four posts. And
                  of course, I told him the story of my romance
                  with Manuel Gustavo.                                                              Gaby D’Alessandro
                     And, as I spoke, that old yearning came
                  back. What would my life have been like if I had   This illustration by Dominican artist Gaby
                  stayed in my native country?                 D’Alessandro accompanied an article called
                     The truth was I couldn’t even imagine     “The Pursuit of Happiness,” which proposes
                  myself as someone other than the person I    looking at Gross National Happiness as a
                  had become in English, a woman who writes    better measure of progress than Gross National
                                                               Product.
                  books in the language of Emily Dickinson     Describe the tone of this illustration and
                  and Walt Whitman, and also of the rude       explain how D’Alessandro uses color, light,
                  shopper in the grocery store and of the boys   and other visual elements to create this tone.
                  throwing stones in the schoolyard, their lan-  Why might this image also be appropriate as
                  guage, which is now my language. A woman     an illustration for this narrative, especially
                                                               considering the way that Alvarez starts and
                  who has joined her life with the life of a man   finishes her piece?
                  who grew up on a farm in Nebraska, whose
                  great-grandparents came over from Germany
                  and discouraged their own children from
                  speaking German because of the antipathy   had ordered Spanish-language tapes a while
                  that erupted in their new country towards   back from the Foreign Service Institute so that
                  anything German with the outbreak of World   he could keep up with my family in the capital.
                  War I. A woman who is now looking for land in   Recently, he had dusted them off and started
                  the Dominican Republic with her husband, so   listening to them to prepare himself for our
                  that they can begin to spend some time in the   land hunt. I had decided to join him in these
                  land she came from.                        lessons, in part to encourage him, but also
                     When we took the turnoff into the moun-  because I wanted to regain the language that
                  tains, we rolled up our windows so we could   would allow me to feel at home again in my
                  easily hear the cassette player. My husband   native country.



                                           Uncorrected proofs have been used in this sample.             183
                                           Copyright © Bedford, Freeman & Worth Publishers.
                                          Distributed by Bedford, Freeman & Worth Publishers.
                                            For review purposes only. Not for redistribution.


          06_SheaFLL2e_40926_ch05_130_243_6PP.indd   183                                               28/06/22   8:57 AM
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